Graham's Potted History

I'm a potter and experimental archaeologist, that means that I create replicas of ancient pots, make reconstructions of ancient kilns, firings, workshops etc. This blog is a journal of some of my recent work. All text and images are copyright if you wish to use them please ask.

Showing posts with label medieval. Show all posts
Showing posts with label medieval. Show all posts
Thursday, 31 May 2012

Potted History Public Events 2012

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It's been a hectic summer and I've been all over the country  demonstrating ancient pottery techniques , here are some of the main...
Sunday, 4 July 2010

Making Medieval

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I'll be at Rievaulx Abbey Saturday and Sunday 10th and 11th July demonstrating Mediaeval potting methods so I'm making some addition...
Tuesday, 13 April 2010

Six Wheels on my Workshop.....so far

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And I'm aiming for ten. Today I built two stick wheels, one floor mounted and one a seated wheel, and cast the flywheels for two momentu...
Tuesday, 23 December 2008

Mediaeval Pottery Kiln at Shotton

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A few days ago I was invited to visit the archaeological excavation of a pottery production site at Shotton, to the north of Newcastle upon ...
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pottedhistory
Rothbury, Northumberland, United Kingdom
When I handle an ancient pot it’s a little like shaking hands with the original potter; a handshake across thousands of years. I can feel the impressions made by their thumbs, the pressure of their fingers pushing the wet clay into the palm of the hand to swell out the belly of the pot, the sweep of a tool to decorate the surface. All of these movements are like frozen, or possibly more correctly, fired moments in time, preserved and waiting for me to decode. When I come to emulate their actions and re-create one of these prehistoric masterpieces, I get to know the potter a little better. A conversation takes place … “Oh I see why you did that” ….”What did you use to make that mark?”.........”Now that’s clever, decorating it like that”. The conversation may seem a little one sided but the answers come back to me from the clay. Above all the act of making a piece gives me a deep sense of respect for a fellow craftsperson.
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