I've replicated Greek red and black figure pottery before but these pieces were the creme de la creme, they were high status when they were first created and they're still high status today. why? Well for the complexity of their manufacture, the refinement of their form and by no means least, the skill of the painter who decorated them. The pots shown here are my, or should I say our replicas not the originals. I made the pots, but my wife Lynda Taylor, a professional artist, decorated them, they required the best!
The precision with which the pots are made, the perfect alignment of the stem of the kylix and the crispness of the foot, shoulder and rim of the krater, tell me not only that they were made by a highly skilled potter, but that the potters' wheel on which they were thrown was very stable indeed. This was no rough stone disk pivoted on a point of rock, it was a precise piece of machinery with smooth running bearings. The same is true of all of these pots and while the potters making cups and bowls for everyday use may well have made use of primitive wheels these craftsmen had access to the very best tools. They have used that technology to push the making process to new heights, creating forms that say "Look what I can do".
More to come later, watch this space.
Visit my website at www.pottedhistory.co.uk
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